top of page

true story or true-ish story?

  • Writer: Michael David
    Michael David
  • 4 days ago
  • 1 min read

“Based on” and “Inspired by” look similar on a poster … but they behave very differently on the page and legally.


Let’s untangle it.


“Based On”


This means you’re tethered to something specific and recognizable.

  • A real person

  • A true event

  • A book/article/podcast

  • A court case

  • A historical incident

You’re implying: this is that story.


Pros

  • Built-in stakes

  • Cultural resonance

  • Marketing shorthand

  • Reality gives you strange, juicy details you’d never invent


Cons

  • Research burden

  • Fact-check anxiety

  • Legal/IP concerns (if it’s not public domain)

  • Audiences expect accuracy


Dramaturgically, you’re wrestling with:

  • What do I compress?

  • What do I omit?

  • What truth am I protecting?

  • Where do I depart?


“Based on” invites comparison.


“Inspired By”


This is looser. You’re harvesting themes, energy, or a real-life spark — but you’re not reenacting.


You’re saying: this story grew out of that one.


Pros

  • More freedom

  • You can combine sources

  • No obligation to historical accuracy

  • Cleaner legally (generally)


Cons

  • Less built-in recognition

  • You must generate your own engine

“Inspired by” invites interpretation.


The Real Question Isn’t Legal — It’s Structural


Ask yourself:

  • Do I want to argue with history … or invent it?

  • Is the real story more interesting than what I could imagine?

  • Am I writing to illuminate a known figure/event … or to explore a theme that just happens to echo one?


Sometimes the strongest move is:

Start “based on” in research …End “inspired by” in execution.


That’s where you get something that feels true without being trapped by fact.

Recent Posts

See All
is theatre dead?

Short answer?  No. Longer, messier, more honest answer: theatre isn’t dead — it’s just not centerstage in the culture the way it once was. Theatre used to be where ideas went to fight.  Now those fi

 
 
 
the first 30 minutes shouldn’t be audience rehab

The theatre experience begins well before the curtain rises.  Don’t make your audience overcome obstacles before the lights dim.  If they’ve had to fight the website, repeatedly circle the block to fi

 
 
 
doubt: a movie that should have stayed on the stage

The play Doubt works powerfully onstage because it’s built for theatrical pressure, not cinematic expansion — and the film version exposes that mismatch. Onstage, the play thrives on confinement. Th

 
 
 

Comments

Rated 0 out of 5 stars.
No ratings yet

Add a rating

Copyright © 2017-2026

bottom of page