the power of silence
- Michael David
- Jan 19
- 2 min read
In a play, silence in dialogue is not absence — it’s action.
Silence is the moment when:
A character can’t say what they want
A character won’t say what they know
Power shifts without words
Meaning lands instead of being explained
Silence is where the audience does the work.
What silence does onstage
1. Reveals power
Who can stay silent longer usually holds control. A pause can dominate a scene more than a speech.
2. Exposes desire
Silence often marks the gap between what a character wants and what they’re brave enough to ask for.
3. Creates danger
A pause after a line is a loaded weapon. The audience senses what might be said next.
4. Lets subtext breathe
Dialogue carries intention. Silence carries consequence.
Types of silence:
Resistant silence – refusal, defiance
Protective silence – hiding, self-defense
Listening silence – a character changing in real time
Overwhelmed silence – the moment language fails
Weaponized silence – punishment, control
Each kind should do something different to the scene.
Writing silence on the page
Avoid vague stage directions like:
(Pause.)
Instead, anchor silence to action or intention:
(She waits for him to finish lying.)
(He almost speaks. Doesn’t.)
(Silence. The offer is still on the table.)
The actor needs why, not just when.
Pauses aren’t decorative. They’re timed refusals:
A pause after an offer = the offer remains active
A silence before an answer = the answer is already costly
A silence that outlasts comfort = someone has won
Actors don’t “wait.” They withhold.
The craft takeaway
Silence works when:
A decision has been made but not voiced
Speech would reduce leverage
The room must feel the shift before it’s understood
Rule: If silence changes the hierarchy of the scene, it’s dialogue.
Rehearsal truth
Silence only works if:
The actor knows what thought is occurring
The silence changes the temperature of the room
Something is at risk if the silence breaks
Dead air is unmotivated silence. Charged silence is dialogue without words.
A rule of thumb
If a silent moment could be replaced by a line of explanation, cut the line and keep the silence.
That’s where the play lives.
For an example of silence used to effect, see the preview sample of my play, Awake.

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